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This month’s webinar will be focused more on the technical aspects of stained glass windows than the artistic aspects. Ron Bovard, founder of Bovard Studio Inc. in Fairfield, Iowa will cover the following learning objectives:
1. Review historic to modern styles of stained glass windows
2. Review architectural settings of stained glass windows, light sources and environment of installation
3. Review materials, types of glass, glass painting, etc.
4. Review design process and structure of a well-designed stained glass window
5. Review properly designed and engineered glazing and framing systems for the conservation of new stained glass windows
6. Review safety and environmental procedures for working with lead in stained glass windows.
About the presenter:
Ron Bovard started in 1971 as an independent artist and had his first art show at Carnegie Museum in 1972. He enjoyed a career as an independent artist and art director for 14 years before starting Bovard Studio Stained Glass in 1985. Since then, he has grown his company to a staff of over 70 employees, including artists, painters and designers from around the world as well as fabricators, restoration staff and installers. Their engineering staff has designed and tested their glazing systems at the National Testing Laboratories and they are now approved by the state of Florida for the maximum hurricane wind load and impact codes. They manufacture their US patented wood, aluminum and steel frames designed for the conservation of stained glass windows in their studio’s frame shops. They restore and create stained glass windows and glazing systems for about 150 churches, courthouses, hospitals, libraries, state capitols, and other public buildings per year.
This webinar will be held on Tuesday, November 20, 2018 at 1:00 PM ET. To register, please click here.
Many liturgical churches have adopted wholesale the use of media in worship as audiovisual support/communications billboard, a model developed in the evangelical megachurches since the late 1970s. Unfortunately, that model typically treats media as presentation technology.
Appropriately integrated within liturgy, though, media art in worship (photography and video) can do and be more than that. It can be liturgical art that can serve as media of meditation and as environmental art. It can be intentionally designed and created to serve as art that communicates on its own and is experienced as symbolic, polyvalent, metaphorical art. To prepare to serve clients who ask, “Were shall we put the projection screen?” liturgical consultants and architects can benefit from exposure to the experiments of media installation artists of the late 20th and 21st century, such as Nam June Paik, Bill Viola, and Diana Thater. New possibilities await those who are willing to learn from today’s artists and innovators regarding new methods for display of media art.
Eileen D. Crowley, Ph.D., Associate Professor of Liturgy, Arts and Communications at Catholic Theological Union, Chicago, has been researching the topic of media art in worship for more than two decades. She is the author of Liturgical Art for a Media Culture(Liturgical Press, 2007) and A Moving Word: Media Art in Worship(Augsburg Press, 2006) and many scholarly and popular essays on the topic. She earned her Ph.D. in Worship and Preaching Studies at Union Theological Seminary (New York City) and her M.A. in Theology (Liturgical Studies) from the University of Notre Dame (Indiana).
This webinar will be held on Tuesday, October 16, 2018 at 1:00 PM EDT. You can register for this webinar by clicking here.